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Navigating Change - Places, People, Stories

Fall 2023

College of the Atlantic

Navigating Change - Places, People, Stories

This three-credit interdisciplinary course will explore how coastal communities, especially around Frenchman Bay have navigated and are navigating major changes in their communities, the Bay, and the ecology around them. This place-based course will use the Bay and surrounding towns to explore how history, geography, audio storytelling, and data science can illuminate, document and nurture community perspectives on their past, present and future. Students will undertake research projects focused on communities and their stories of adaptation to and community members’ reflections on the dramatic changes they have witnessed from the collapse of the cod-fishery, the boom in regional tourism, and the current conflict over federal whale regulations among other transformations within their living memory. The class will provide opportunities to learn about and use skills from data analysis and visualization using the R programming software, qualitative data analysis using MAXQDA software, oral history and audio story-telling as well as community-based work rooted in both history and geography. This interdisciplinary approach will allow the class to grapple with how projects may help facilitate community conversations about how their inhabitants have used different strategies to adapt in the past and present in ways that could inform their future. The course will involve field trips, overnight stays, and community work throughout the region, so students will have this integrated course in order to spend extended periods of time on the projects they undertake. The course will include time on the water and in communities, and students should expect to spend substantial time on and off campus for the class. Students will be evaluated on short assignments, team projects, and overall level of effort on coursework. This course is appropriate for students from a wide range of backgrounds and both academic and personal experiences, and there are no prerequisites. Given the immersive approach of the class the instructors would encourage students to reach out to the instructors prior to the class.

Timetable

Topic Intros Tuesday, Wednesday, Thursday, Friday.

Tuesday

Field or Turrets Gower Room (Morning); Media Lab (CHE 108) - 13:00-16:00

Wednesday

Media Lab (CHE 108) - 14:30-16:00

Thursday

Field or Turrets Gower Room - 9:35-16:00

Friday

Media Lab (CHE 108) - 13:00-16:00

Course Schedule

Week 0 - Before the Course

Begin to get acquainted with Frenchman Bay by listening to the experiences of community members and reading the daily diaries of 19th …

Week 1 - Exploring Frenchman Bay

This week we delve into audio storytelling and the communities of Frenchman Bay 🎤

Week 2 - Retracing the route of Freeland Bunker

This week we join Captain Toby Stephenson aboard the COA-restored Sequin 44, Rebecca to retrace the route of 19th century mariner …

Week 3 - Theories of Change

How do communities respond to change? What theories and frameworks can we use to understand these changes?

Week 4 - Data Analysis and Visualization

We will learn to apply data science techniques to visualize and analyze oral histories 🚧

Week 5 - Project Formation and Management

This week we will form our project teams and introduce you to project and media management techniques. We will spend time workshopping …

Week 6 - Heading out into the field

Teams head out to the Cranberry Isles, Swans, and Corea.

Week 7 - Interviewing, exploring archives and coding

Teams collect interviews, explore archives, and start coding.

Week 8 - Editing and Presentation Planning

Teams conduct last field visits and begin planning their presentations and preparing for the critiques next week.

Week 9 - Critiques and Nano Presentations

Students present their work and get feedback from the class ahead of community presentations next week.

Week 10 - Show Time

Community Presentations

Welcome to Fall Term at COA

Project Theme Areas

Based on ongoing projects of the course instructors

*

Frenchman Bay Oral History Project

The Frenchman Bay Oral History Project documents the lived experiences and observations of folks with extensive knowledge of Frenchman …

Gendered dimensions of climate change impacts, adaptive capacity, and resilience in Maine’s coastal fisheries

What are women’s experiences of climate change in Maine’s coastal fisheries and how are they responding and adapting to change?

Geocoding the past and current uses of Frenchman Bay from historic and current oral histories

What are meaningful geographical units to characterize and display uses of the coast in and around Frenchmen Bay?

Maritime life in Frenchman Bay in the late 19th century

Who was Capt. Freeland Bunker and what changes did he experience in Frenchman Bay from the 1870s to early 1900s?

Project Guidance

How are communities navigating change?

The final project for this class will explore an aspect of how a community in Frenchman Bay has or is navigating change. You can read about ongoing projects you can get involved with on the project page as you think of potential project ideas. A guide to the deliverables and timeline for the project may be found in the section below.

Deliverables

The links below will take you to google classroom. This will be where the assignments will be posted closer to the due date.

Assignment
Title
Week
Due
P 01 Team Contract Week 5 Fri, 13 Oct 13:00 EST
P 02 Project Plan Week 5 Fri, 13 Oct 16:00 EST
P 03 Project Draft and Critique Week 9 Tue, 7 Nov 11:15-16:00 EST
P 04 Community Presentations Week 10 Mon-Fri, 13-17 Nov
P 05 Project Report Week 10 Thu-Sat, 16-18 Nov 14:00

P 01 - Team Contract

One of the main goals of this course is that you build and develop community leadership skills as a collaborator that shares strengths, builds weaknesses, and contributes to a broader shared understanding. These skills will serve you in this course and beyond in your careers. A crucial part of building strong collaborations is good communication.

Each team will draft a group contract. A group contract is a document to help you formalize the expectations you have for your group members and what they can expect of you. It will help you think about what you need from each other to work effectively as a team! You will create and agree on this contract as a team and refer to it during the project.

At a minimum, your group contract must address these questions:

Goals:

  • What are our team goals for this project?
  • What do we want to accomplish?
  • What skills do we want to develop or refine?

Expectations:

  • What do we expect of one another regarding attendance at meetings, participation, frequency of communication, quality of work, etc.?

Policies & Procedures:

  • What rules can we agree on to help us meet our goals and expectations?

Consequences:

  • How will we address non-performance regarding these goals, expectations, policies and procedures?

Each member should “sign” (you can just type out your name) at the bottom of the submission.

Credit for Group Contract: Tiffany Timbers, University of British Columbia

P 02 - Project Plan

Your project plan should include the following sections

  • Introduction:
    • What is the change that you are studying?
    • What community members will you engage with in Frenchman Bay?
  • Goals: Define the project goals and objectives. What do you aim to accomplish in the project? What broader project does it align with (see the project page for an overview of project theme areas based on ongoing projects)?
  • Outputs: How will you communicate your project back to the community you are working with? What form will your final output take? What form will your project write-up take? Who is/are your target audience(s)? How will your audience(s) engage with your final output?
  • Approach: This section will outline your approach. What techniques that you’ve learned in weeks 1-5 will you employ from the class?
  • Resources: What resources and support do you need to conduct your project e.g. vans, boats, equipment, support from instructors?
  • Milestones: What are the milestones for the project? What needs to happen and by when? Discuss this with the relevant instructors who will support your project (e.g. if your project involved audio you will need to get rough cuts to Galen by a certain date)
  • Measures of success: What does success look like for your project?
  • Risks: What are potential risks or setbacks your project could experience?

P03 - Project Critique and Nano Presentation

In week 9 your team will present a draft of your final output and you will get feedback from the class in the form of a critique. This is in preparation for your community presentations which will take place during the last week of the course. The form you choose to present and return your work back to the community is up to you. You will include details of what the output will be in your project plan.

The Critique

Each group will have one hour to present about the upcoming community presentations. This is an opportunity to receive feedback from faculty and students.

Guidelines & Ideas

  • Please come prepared to tell the class what you plan to present at your community presentation.
    • What will you present/why are you presenting it?
    • What order will you present in? What is the structure of your presentation?
  • What medium will your presentation take? (Is it a powerpoint, community discussion, or…?)
    • Play audio rough cuts for feedback
    • Show rough plans/outlines for visual components.
      • Includes brochures, postcards, posters, prints, web design, etc
    • Show drafts of data visualizations We would like to hear from everyone in your group

Other things to tell us:

  • Will you need access to audio/visual equipment?
    • Do you plan to play audio stories for the audience?
  • How will the community access the work after the presentation?
  • How will you invite the community to your presentation?

P04 - Community Presentations

Your community presentation will occur in the last week of classes. The form that this “presentation” takes will be decided by you in your project plan.

P05 - Project Report

Use the structure below as an outline for your final project report, which should be 3-5 written pages. You only turn in one copy per group, but all members should contribute to the write up and edit the report. It should contain no spelling errors.

  • Project Goals and Outputs what were your intended goals and related outputs? What types of change did you focus on?
  • What we did How did you study how the community is navigating change? What was your process? What did you each do on the project?
  • Results What did your group learn about the type of change you focused on? How is the community impacted by and responding to change? What stories emerged? What was different about community members experiences? What was shared?
  • Community Output What was your community output and how did you decide to focus on that and where to present it?
  • Community Reception and Feedback How did the community receive your output and story about navigating change? How many people were involved in the project (e.g. interviewed), how many people came to the presentation? What feedback did you get from the community?

Syllabus

Course Description

This three-credit interdisciplinary course will explore how coastal communities, especially around Frenchman Bay have navigated and are navigating major changes in their communities, the Bay, and the ecology around them. This place-based course will use the Bay and surrounding towns to explore how history, geography, audio storytelling, and data science can illuminate, document and nurture community perspectives on their past, present and future. Students will undertake research projects focused on communities and their stories of adaptation to and community members’ reflections on the dramatic changes they have witnessed from the collapse of the cod-fishery, the boom in regional tourism, and the current conflict over federal whale regulations among other transformations within their living memory. The class will provide opportunities to learn about and use skills from data analysis and visualization using the R programming software, oral history and audio story-telling as well as community-based work rooted in both history and geography. This interdisciplinary approach will allow the class to grapple with how projects may help facilitate community conversations about how their inhabitants have used different strategies to adapt in the past and present in ways that could inform their future. The course will involve field trips, overnight stays, and community work throughout the region, so students will have this integrated course in order to spend extended periods of time on the projects they undertake. The course will include time on the water and in communities, and students should expect to spend substantial time on and off campus for the class. Students will be evaluated on short assignments, team projects, and overall level of effort on coursework. This course is appropriate for students from a wide range of backgrounds and both academic and personal experiences, and there are no prerequisites. Given the immersive approach of the class the instructors would encourage students to reach out to the instructors prior to the class.

Additional Course Info

  • Meets the following requirements: HS, HY, QR
  • Prerequisites: None
  • Level: Intermediate
  • Course limit: 15
  • Lab fee: No lab fee

Course Values, Goals, and Practices

Learning Goals

This course is designed as a community learning journey. Together, we will:

  • Co-create an immersive, interdisciplinary learning experience in and out of class with fellow students, instructors, and invited guests.
  • Become familiar with the geography of Frenchman Bay and its environment.
  • Apply data analysis and visualization techniques as a method for imagining and understanding change and navigation of change.
  • Apply theories of adaptation and change (e.g., frameworks) to evaluate different sources of information and to produce an original project describing how communities navigate change.
  • Apply audio storytelling skills (interviewing, field recording, audio editing, story structure, and communications) to create original work documenting stories of change.
  • Develop a sophisticated understanding of how coastal Maine communities are confronting the changes in the world around them from climate change to social and cultural shifts.
  • Become familiar with nautical terminology used for sailing and navigating and be able to identify parts of the boat, navigational markers, and points of sail as well as discussing and recognizing these terms in interviews and historical texts.
  • Gain hands-on experience navigating and sailing including reading charts, tying knots, and sailing the 44 foot sail vessel, Rebecca.

Course Materials required:

Journal

You will keep field observation notes in a dedicated journal for the course.

Technology:

  • In week 4 we will be programming most days. Bring a laptop to class. We will be using PositCloud, you will get an invitation to create an account.
  • If you are in need of a term long loaner laptop, please contact the IT department at helpdesk@coa.edu. Mention that you are taking a data science class, and pick up the laptop in A&S right by the whale skull.

How to checkout audio gear from the COA Library

If Zach is in his office, grab the equipment you need then bring it to the circulation desk to be checked out. If Zach is not in his office, check in with the circulation desk first, and then go into his office to grab what you need. Your name is on a list of people who can check out equipment, so the library staff will know that you’re all set!

Everything defaults to a four hour checkout, but things can be kept longer than that if they are needed/being actively used. Once you are finished using your gear, return it as soon as possible; we want to make sure everyone who needs gear has access to it.

Make sure you are at the circulation desk while your items are being checked out and checked in to make sure all of the items listed as part of the kit are inside the kit and scanned. Otherwise, any missing items are your responsibility to replace.

We will provide batteries for you to use in the equipment; be sure to check battery levels and have extras before going out to record. If you have any questions about borrowing equipment, email Zach Soares zsoares@coa.edu.

Course components

Weekly structure

The class meets on Tuesday, Wednesday, Thursday, and Friday. The typical weekly class schedule will be:

Day Activity
Tuesday Field Trip or Class
Wednesday Class
Thursday Field Trip or Class
Friday Field Trip or Class

Outside of class you can expect to spend about 20-25 additional hours on work for a total of 45 hours a week.

Your work will consist of several assignments including:

Homework and Labs

Homework will range from readings and listening to oral histories to audio postcards. We will have a number of interview coding and programming lab sessions in week 3 and 4.

Weekly Journal

As part of the course you will be submitting a weekly journal. After week 0 these journals will be recorded in a dedicated field notebook. These journals will be due at the start of class on Fridays at 13:00. These journals will be where you record your field notes from field trips and write your weekly reflections.

Field Trips

We will be spending a lot of time in the field. For boat trips, please bring: sunscreen, sunglasses, hat, water bottle, lunch and snacks, sneakers or teva-type sandals, swimsuit, towel, lip balm with sunscreen, binoculars, warm fleece/sweater, and a raincoat for rain or wind. For the Soundwalk in Deer Isle in Week 1 you will also need a phone with an internet connection and a set of headphones.

Field trips will be weather dependent. We will still go out if it is raining but sea conditions may shift the schedule of our field trips. We will be navigating weather-related schedule changes together. We will update the schedule for the next week each Friday, so please check the website at the start of each week, keep an eye on your email for schedule changes, and keep Tuesday-Friday (9-6) free of other commitments.

Final project

You will be responsible for the completion of an open ended final project for this course, the goal of which is to study an aspect of change in a community in Frenchman Bay using the tools and techniques covered in class. Your final project will draw on the skills covered in weeks 1-5 and you will work on your project for the last 5 weeks of class. You can find out more about the project themes under projects and guidance for the project under project guidance. You must complete the final project and be in class to present it in order to pass this course. Additional details on the project will be provided in class as the course progresses.

Grades:

A growing body of research indicates that traditional approaches to grading fail to produce the sorts of meaningful learning desired by both teachers and students. Such approaches often reinforce inequitable power dynamics between teachers and students, promote faulty reward systems that disincentive creativity and risk-taking, and devalue important aspects of learning (including revision and feedback). Given this context, instead of a traditional approach to grading in which you do work that is evaluated singularly by me, this course assumes that you opt to take ownership and responsibility over your performance and engagement with the class. To make this happen, this course uses a “contract grading” scheme, which gives you a voice in the grading process, provides you with the agency to specify your intended course performance, and also share in the responsibility for evaluating whether or not you fulfilled your intended obligations. Please see the contract grading document on Google Classroom for a more-fleshed-out explanation of this approach and how it will operate in the course.

You will meet with all of us in Week 5 to discuss your progress in the course so far.

Policies

Academic Integrity (excerpt from Course Catalog)

By enrolling in an academic institution, a student is subscribing to common standards of academic honesty. Any cheating, plagiarism, falsifying or fabricating of data is a breach of such standards. A student must make it their responsibility to not use words or works of others without proper acknowledgement. Plagiarism is unacceptable and evidence of such activity is reported to the provost or their designee. Two violations of academic integrity are grounds for dismissal from the college. Students would request in-class discussions of such questions when complex issues of ethical scholarship arise.

Universal Learning and Learning in Community

Many of us learn in different ways. For example, you may process information by speaking and listening, so while lectures are quite helpful for you, some of the written material may be difficult to absorb. You might have difficulty following lectures, but are able to quickly assimilate written information. You may need to fidget to focus in class. You might take notes best when you can draw a concept. For some of you, speaking in class can be a stressful or daunting experience. For some of you, certain topics or themes might be so traumatic as to be disruptive to learning. The principle of Universal Design for Learning calls for our classrooms, our virtual spaces, our practices and our interactions to be designed to include as many different modes of learning as possible, and is a principle we take seriously in this class.

It is also our goal to create an inclusive classroom, which depends on community building, and which requires everyone to come to class with mutual respect, civility, and a willingness to listen to and observe others. As such the syllabus serves as a contract of some expectations between all members of the class, including ourselves.

If you anticipate or experience any barriers to learning in this course, please reach out to us and your student support advisor. If you have a disability, or think you may have a disability, COA’s Disability Support Services located within the Office of Student Life in Deering Commons to develop a plan for your academic accommodations. You can find out more information in the course catalog under Accommodating students with disabilities. If you have already been approved for accommodations through the Disability Support Services please let us know! We can meet 1-1 to explore concerns and potential options.

Late work, extensions, and special circumstances

All work is due on the stated due date. Due dates are there to help guide your pace through the course and they also allow us to return feedback to you in a timely manner. However, sometimes life gets in the way and you might not be able to turn in your work on time.

If you intend to submit work late for an assignment or project, you must notify us before the original deadline and as soon as the completed work is submitted. This allows us to return feedback to you and lets us know when to check your work.

Wellbeing

We want to make sure that you learn everything you were hoping to learn from this class. If this requires flexibility, please don’t hesitate to ask.

  • You never owe us a personal information about your health (mental or physical) but you’re always welcome to talk to us. If we can’t help, we likely know someone who can.

  • We want you to learn lots of things from this class, but we primarily want you to stay healthy, balanced, and grounded during this crisis.

Help

Most of you will need help at some point and we want to make sure you can identify when that is without getting too frustrated and feel comfortable seeking help.

  • Google Classroom Forum: The best way to get any questions on course content, technology, logistics, policies is to post your question on the google classroom forum. And you are encouraged to answer each others' questions here as well.
  • Help Sessions: The Teaching Assistant and we will have a handful of help sessions every week. You are warmly invited and encouraged to attend these sessions. Help sessions are relaxed, informal, and hopefully fun. Things that happen at help sessions:
  1. The TAs and/or we are around to offer help on the homework, lab, or project.
  2. Some students do most of the assignment while at a help session. They work through problems alone or with others, and find it comforting to know that help is at hand if needed.
  3. Others do the problems at home and come to the help session with specific questions.
  4. Help sessions are also a chance to ask general questions about the course.
  5. Help sessions are a great way to meet other students in the class.

Everyone is welcome at help sessions! Attending these sessions help students do well in class and get as much out of it as possible.

  • Email: Please refrain from emailing any course content questions (those should go on Google Classroom), and only use email for questions about personal matters that may not be appropriate for the public course forum (e.g. illness, missed assignments).
  • For more general support and advice, please make use of the resources on Campus which you will find in the College course catalog. If you’re not sure where to go for help, just ask.

Resources

Thorndike Library

Thorndike Library offers many resources and services that can assist you in your academic endeavors, including individualized research support and access to resources beyond COA. Study spaces are also available. The library is open 7 days/week. Remote access to the research databases is available 24/7. Contact library@coa.edu or visit the library website for details.

Technology

We will be using the computers in the Media Lab at COA. However, if you are in need of a term long loaner laptop, please contact the IT department at helpdesk@coa.edu. Mention that you are taking a data science class, and pick up the laptop in A&S right by the whale skull.

Text Analysis and Coding Resources

For your labs taught by Laurie Baker we will be using the following free and open-source coding resources to analyze text data.

Books

Tools

Coding Cheatsheets

Student Final Projects

*

Cranberry Island’s Oral Histories

We are a College of the Atlantic student cohort affiliated with Maine Sound and Story, the Frenchman Bay Oral History project, Mapping …

Stories from women of the Gouldsboro, ME working waterfront

What are Gouldsboro women’s experiences of climate change in Maine’s coastal fisheries and how are they responding and adapting to …

Swan’s Stories of Commons and Change

This project is a collection of stories, word clouds, and images from Swan’s Island’s evolving community spaces.

Acknowledgements

Conceptually, intellectually, and substantively, the course policies draw heavily upon the work of current and past colleagues at College of the Atlantic, Bates College, and beyond including Carrie Diaz Eaton, Anelise H. Shrout, Barry Lawson, Meredith Greer, Ethan Miller, Misty Beck, Francis Eanes, Dave Feldman, as well as scholars beyond these institutions.